Introduction
For a long time now, and certainly across many of the classrooms I have visited in recent years teachers have been working hard to improve GCSE writing outcomes while quietly sensing that something was not quite lining up. Pupils write more, practise more, produce longer pieces, and yet the grades often fail to match the effort, which understandably leads to frustration and, in some cases, resignation.
The arrival of the new GCSE writing paper has not been dramatic or loudly announced, but in my view represents a decisive shift in what is being assessed, and my prediction is that many departments will only fully realise this once mock results begin to expose patterns that feel unfamiliar.
For years, GCSE writing has been taught on the assumption that effort, creativity and risk-taking would somehow be rewarded, that “having a go” was a sensible strategy, and that ambitious language could compensate for shaky control. That assumption no longer holds – sadly.
The new GCSE writing paper rewards accuracy, control and task fulfilment, not linguistic risk-taking, and this, far from being a matter of preference or interpretation, is built directly into the mark schemes.
This article, written as I prep my upcoming workshop on this topic in a couple of weeks time, examines what the new writing paper actually assesses, how marks are generated, where the critical thresholds lie, and what this means for classroom practice.
Structure of the new GCSE writing paper
The writing paper now consists of a tightly constrained set of tasks designed to test retrieval and control under pressure rather than expressive freedom. A central feature is the inclusion of English into target language translation as a compulsory writing task.
In the translation mark scheme, marks are awarded for:
- accurate transfer of meaning
- correct vocabulary selection
- grammatical accuracy, including tense, agreement and word order
There are no marks for approximation. Responses either convey the intended meaning or they do not.
Translation removes choice, paraphrase and creativity, and forces precise retrieval under time pressure, hence it is structurally impossible to succeed by merely “having a go”. This task alone signals that the assessment is testing control, not effort or intention.
Stimulus coverage and task fulfilment
Across both the 90-word and 150-word writing tasks, candidates are required to respond directly to bullet-point prompts.
The paper explicitly states that to achieve the highest marks, candidates must write something about each bullet point. In the mark scheme, failure to address all bullet points caps access to the higher bands, regardless of linguistic ambition elsewhere.
As a result, a response that uses adventurous language but misses part of the stimulus will score lower than a response that uses simpler language but completes the task fully. This is a structural feature of the assessment which I personally don’t agree with but we have to live with.
Use of familiar language
Both exam boards assess writing through the use of:
a range of familiar vocabulary and structures.
This phrase is central to understanding the assessment construct.
The mark schemes do not reward originality or experimentation. They reward:
- accurate selection of known language
- consistent use
- successful manipulation
Lower bands are characterised by frequent errors and loss of control whilst higher bands are characterised by secure handling of familiar language. The construct being assessed becomes procedural control (!), not creative expression as in the past GCSE.
Accuracy and band progression
Nowhere in the mark schemes does “ambitious but inaccurate” outperform “simple but accurate”. This stifles the risk-taking attitude that you would want language pedagogy to encourage and reward. A huge mistake which is a legacy of the NCELP’s flawed pedagogy.
So, in the new GCSE, ambition that destabilizes accuracy typically pushes candidates down a band. Errors are tolerated only insofar as they do not impede communication, and that tolerance is limited. The mark scheme allows a small number of minor errors only if meaning remains clear and control is otherwise secure, but once errors become frequent, patterned, or start to affect clarity, the response is automatically pushed into a lower band. In other words, accuracy is not judged generously or holistically: there is a clear ceiling beyond which additional errors are no longer “overlooked”, even if the ideas are good or the language is ambitious.
This means that the long-standing advice to “take risks” in GCSE writing is no longer assessment-neutral Under the new mark schemes, risk-taking without control is actively disadvantageous.
Timeframes as a retrieval challenge
To access the higher bands, candidates must refer to more than one timeframe and do so accurately. A candidate who uses two time frames accurately will usually score higher than a candidate who attempts three timeframes inaccurately.
In other words, time frames function as a retrieval stress test, not as an opportunity to demonstrate grammatical ambition.
Cognitive pressure built into the assessment
The writing paper combines:
- multiple tasks
- strict time limits
- bullet-point constraints
- word limits
- no dictionary
- accuracy-focused marking
The mark schemes then reward consistency, reliability and control – deliberate cognitive load engineering. The assessment measures what candidates can retrieve and control when working memory is stretched.
What distinguishes Grades 7–9 from Grade 6
This is the threshold that is most often misunderstood by the teachers I have worked with recently
Characteristics of a secure Grade 6 response
A Grade 6 response typically:
- addresses the task adequately
- covers most or all bullet points
- uses familiar vocabulary correctly much of the time
- attempts more than one timeframe, but not always securely
- shows some inconsistency in accuracy
- may rely on memorised chunks or repetition
In mark-scheme terms, this represents competent communication, but not sustained control.
What changes at Grade 7
The move from Grade 6 to Grade 7 is not about writing more or using more complex grammar.
It is about stability under pressure.
A Grade 7 response:
- addresses all bullet points precisely and efficiently
- uses a range of familiar structures with consistent accuracy
- handles at least two timeframes securely
- maintains accuracy as sentence length increases
- shows conscious control rather than chance success
Errors are occasional rather than frequent, and accuracy does not deteriorate as the task progresses.
What characterises Grades 8–9
At Grades 8 and 9, nothing fundamentally new appears. What improves is:
- consistency
- reliability
- density of accurate language
Responses at this level sustain accuracy across the entire task, integrate timeframes naturally, and show minimal breakdown in meaning. This reflects automaticity, not flair.
The critical implication
The difference between a Grade 6 and a Grade 7 is not creativity or risk-taking, but the ability to retrieve and control familiar language reliably under exam conditions.
Comparison of AQA and Edexcel writing assessments
Despite differences in layout and wording, both boards assess writing in fundamentally the same way.
| Feature | AQA | Edexcel | Assessment implication |
|---|---|---|---|
| Core construct | Control of familiar language | Control of familiar language | Identical construct |
| Translation | Integrated into writing paper | Integrated into writing paper | Retrieval over creativity |
| Stimulus coverage | Explicit bullet-point requirement | Task fulfilment weighted | Task control is essential |
| Accuracy weighting | Strong emphasis | Strong emphasis | Ambition without control is penalised |
| Timeframes | Multiple accurate timeframes required | Multiple accurate timeframes expected | Retrieval under pressure |
| Creativity | Rewarded only if accuracy is secure | Rewarded only if accuracy is secure | Creativity is conditional |
Despite presentational differences, both boards reward the same thing: stable, accurate, task-focused writing under pressure.
Who is likely to struggle with the new format
The pupils who are most likely to struggle are not necessarily the weakest linguists, but those whose learning has been built on habits that the new assessment penalises.
These include:
- pupils reliant on memorised essays
- pupils encouraged to take grammatical risks they cannot control
- pupils with weak listening and reading foundations
- pupils trained to prioritise ideas over linguistic control
Departments that delay systematic work on accuracy, sentence-level control and retrieval until late in the course are also likely to face difficulties, as habits formed earlier are hard to reverse.
Why “having a go” no longer aligns with the assessment
Taken together, the mark schemes:
- penalise inaccuracy
- cap incomplete responses
- reward familiar language
- prioritise task fulfilment
- embed translation as a control task
As a result, the assessment rewards control under cognitive pressure, not effort or ambition.
Implications for teaching practice
Writing is no longer assessed as expressive output. It is assessed as accurate retrieval of automatised language under constraint.
Teaching writing primarily through early free production now conflicts with:
- the assessment objectives
- the band descriptors
- the cognitive design of the paper
This is not a matter of preference or ideology, but one of construct validity In my upcoming workshop on how to ace the GCSE writing paper in early February I will deal extensively with what teachers can do to prepare their students effectively for this tricky paper
Conclusion
The new GCSE writing paper has not made writing harsher. It has made misalignment between teaching and assessment visible.
If writing continues to be taught as though effort, creativity and risk can compensate for weak control, outcomes are unlikely to improve. If, however, teaching aligns with what the mark schemes actually reward — familiarity, retrieval and accuracy under pressure — then the path forward becomes clearer.
In my view, pupils become better writers not by writing earlier or more freely, but by writing later, with less choice, and with language they have processed deeply and repeatedly. Once this is understood, the logic of the new GCSE writing paper becomes difficult to argue with.



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